Showing posts with label comics. Show all posts
Showing posts with label comics. Show all posts

End Zone Review

End Zone
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End Zone ReviewThis very early product from the mind of DeLillo is sharp with the kind of ideas DeLillo would go on with, though not always successfully. His characters in this book are both base and philosophical, and the narrator, Gary Harkness, is a man who is into both the visceral thrills of football and world destruction as well as the higher functions of meaning and love. DeLillo mixes the base grunts of football with the war philosophy of Sun Tzu, and this book maintains that level through short, precise explosions of thought and action. While other books like _The Names_ tend to talk more about philosophy rather than exemplify it, _End Zone_ is a surgical airstrike in itself, and well worth the read.
End Zone OverviewIn West Texas, college men play football with intense passion. During a winning season the running back, Gary Harkness, is fuelled by fear of, and fascination with, nuclear conflict. Among players the terminologies of football and nuclear war - the language of end zones - become interchanged.

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Successful Syndication: A Guide for Writers and Cartoonists Review

Successful Syndication: A Guide for Writers and Cartoonists
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Successful Syndication: A Guide for Writers and Cartoonists ReviewMultiply your efforts by publishing your work in several periodicals simultaneously. In 185 jam pack pages, Michael Sedge reveals how to find the right syndication agency and how to work with them. He provides submission guidelines and inside tips. You will discover how to submit your work and finally, how to run your business. Complete with addresses, contracts, forms and references.
After filling the initial need, find more needs and use the same fill. But automate your distribution with syndication. This book will guide the way. (...)Successful Syndication: A Guide for Writers and Cartoonists OverviewChock full of insiders' information, this is the first book devoted to providing complete information about the syndication business, systematically detailing how writers and cartoonists can turn dreams of having work syndicated into reality. Tell-all text addresses every aspect of syndication: creating columns, comics, and features most likely to sell; finding a syndication agency; working with people at a syndicate­or setting up self-syndication; marketing through the Internet or direct mail; attracting international sales; pricing; and invoicing. Extensive resource lists are included, as are ample documents and a clause-by-clause review of a syndicated contract by the nation's top syndication lawyer.

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Manga: 60 Years of Japanese Comics Review

Manga: 60 Years of Japanese Comics
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Manga: 60 Years of Japanese Comics Review"Manga" is a first-rate introduction and analysis of one of the world's most significant new forms of art - Japanese comics. The book not only has beautiful artwork, much of it in full color, but also glossy pages in an oversize format. Gravett covers the visual history of manga from Osamu Tezuka to modern European comics that have been influenced by manga. There are chapters devoted to boys' (shonen) and girls' (shojo) manga, gekiga ("drama pictures" - a kind of gritty realism), sexually explicit manga for adult men and women, and a fascinating discussion of less mainstream manga done by idiosyncratic artists and editors. The illustrations are clear, well-printed, and very well selected - Gravett has a first-rate eye for some of the most gorgeous manga artwork, ranging from Riyoko Ikeda's "Rose of Versailles" through Masamune Shirow's "Ghost in the Shell, part 2" and the horror manga of Hideshi Hino. Mechas, swordfights, pretty girls, stalwart heroes, nymphomaniac Tinkerbells, beautiful men, Princess Sapphire, Akira, Dragonball - a wide and representative range of manga styles and genres are all included. The hardest part of doing the book was probably choosing what not to include in a finite number of pages! Together with the artwork - which is worth the price of the book - Gravett has written thoughtful, historically and culturally accurate discussions of the social, aesthetic, and political background of manga. These essays are also worth the price of the book. Until now, the only two substantive books about manga as a medium were Frederik L. Schodt's 1983 "Manga! Manga!" and his 1996 "Dreamland Japan." Gravett's book is a worthy successor to Schodt's, and is essential for any fan of manga, anime or cartooning - or anyone interested in popular culture in a globalizing, transnational world. And for anyone else - well, the art is just so beautiful and the writing so well done that you too should get it.
Manga: 60 Years of Japanese Comics Overview
Japan's output of manga is massive, accounting for a staggering forty percent of everything published each year in the country.Outside Japan, there has been a global boom in sales, with the manga aesthetic spreading from comics into all areas of Western youth culture through film, computer games, advertising, and design.

Manga: Sixty Years of Japanese Comics presents an accessible, entertaining, and highly-illustrated introduction to the development and diversity of Japanese comics from 1945 to the present. Featuring striking graphics and extracts from a wide range of manga, the book covers such themes as the specific attributes of manga in contrast to American and European comics; the life and career of Osamu Tezuka, creator of Astro Boy and originator of story manga; boys' comics from the 1960s to the present; the genres and genders of girls' and women's comics; the darker, more realistic themes of gekiga -- violent samurai, disturbing horror and apocalyptic science fiction; issues of censorship and protest; and manga's role as a major Japanese export and global influence.


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Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip Review

Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip
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Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip ReviewThere are problems with Nevin Martell's book, Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip. While the title encourages the reader to think he or she will be reading the story of how Calvin and Hobbes came to be, what we get instead is one man's personal odyssey to score an interview with the elusive creator of the strip, Bill Watterson. It's true that we DO get to read the results of Martell's research (which include lots of tidbits regarding the aforementioned story), and it's often interesting. However, the book suffers from the plethora of personal asides about his wife, prior writing projects, and rock star interviews Martell had done.
Another problem rises due to the fact that Bill Watterson owns "Calvin and Hobbes" lock, stock and barrel. As a result, there are no comics printed in the book. Instead, Martell resorts to taking page upon page to describe individual strips, from first panel to last. While I acknowledge that this wasn't the author's fault, it adds a level of tedium to some sections of the book.
And yet another issue with the book comes in the writing itself. Martell primarily writes for magazines, and that's how this book reads: as a series of magazine articles on the same subject, rather than as a coherent whole. He repeats quotes from earlier parts of the book, summarizes earlier chapters in later ones, and so on. This would be fine if we were reading the book one chapter at a time over several weeks or months, but it doesn't work in book form. Also, his description is sometimes clumsy: "Everything was drenched in pure white, as if God had forgotten to shake the Earth as he would a snow globe." That's a long way to go for a simple image. In addition, Martell sometimes makes errors when discussing the comics themselves. When talking about Calvin's use of the cardboard box (one of the great conventions of the strip), he states that the Atomic Cerebral Enhance-O-Tron is one of the box's many uses. Well, the ACE was a colander that Calvin put on his head. A small error to be sure, but one that a fan will easily catch. Several more are scattered through the book.
However, the book is worth reading. His interviews with Watterson associates are illuminating, and his chapter on how Calvin and Hobbes influenced other comic artists is a must. He rounds up a who's who of current and former comic artists and syndicate bigwigs for these chapters. No one can fault the man's legwork.
Overall, I'm not sorry I read it. It was obviously a labor of love for Martell, and that comes through on every page. The problem is, that often comes through too strongly. It's interesting, but not essential to ones' appreciation for, or understanding of, the wonder that was Calvin and Hobbes. 3.5 stars.Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and his Revolutionary Comic Strip Overview
For ten years, Calvin and Hobbes was one the world's most beloved comic strips. And then, on the last day of 1995, the strip ended. Its mercurial and reclusive creator, Bill Watterson, not only finished the strip but withdrew entirely from public life.

In Looking for Calvin and Hobbes, Nevin Martell sets out on a very personal odyssey to understand the life and career of the intensely private man behind Calvin and Hobbes. Martell talks to a wide range of artists and writers (including Dave Barry, Harvey Pekar, and Brad Bird) as well as some of Watterson's closest friends and professional colleagues, and along the way reflects upon the nature of his own fandom and on the extraordinary legacy that Watterson left behind. This is as close as we're ever likely to get to one of America's most ingenious and intriguing figures - and it's the fascinating story of an intrepid author's search for him, too.


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