The Man Who Once Was Whizzer White: A Portrait of Justice Byron R. White Review

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The Man Who Once Was Whizzer White: A Portrait of Justice Byron R. White ReviewHutchinson has written a fascinating contemporary biography of Justice White who is almost unique in his continued insistence on his privacy and personal dignity. Although the author eschews speculation as to White's family or personal life, one still gets a good sense of the man--his intelligence, tenacity, and just plain decency. At least as interesting are the times he lived in, and few lawyers or judges have shared the action and passion of their times more fully than Justice White--first on the gridiron, then in the classroom, in the world of affairs, and on the court. White had his shortcomings as a communicator and legal theorist, as Hutchinson aptly illustrates with the oral and written record. But would that our society had more such self-effacing, dedicated and excellent lawyers and public servants!The Man Who Once Was Whizzer White: A Portrait of Justice Byron R. White Overview

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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Review

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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music ReviewThis book is an essential edition to any filmmaker's library. It is both a guide and a reference work. It offers listings of many archival sources that allow for access to and affordable use of all kinds of images and music. It offers a primer on copyright, covering relevant issues related to archival use such as public domain content, internet licensing, moral rights, most-favored-nations clauses, music synchronization and master use licenses, and fair use. It also covers frustrating and sticky issues that arise when acquiring materials such as inability to gain access to public domain content.
It engages the reader in an exploration that works for any of the creative arts--a discussion of ethical issues related to the use of other's content in a manner that is true to its original meaning, mission, context, and purpose.
And the book presents an inside/out perspective of the business of filmmaking and the complexities of its intellectual property issues. The authors accomplish this perspective through the use of interviews and roundtable discussions with well-established filmmakers, archivists, film researchers, insurance executives, and supervisors and managers of rights in the music industry. The work also contains a thought-provoking commentary on what copyright has become and of what it should be and why. This discussion impels filmmakers to actively engage in the current dialogue about a concept of copyright that would both protect their own and others' creations, secure current access to archival materials, and increase the amount of archival content that is accessible in the future.
Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Overview
Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do verite' producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?

Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.

Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.

Additional praise for Archival Storytelling: "I've been making historical documentaries for many years, yet I learned new things from this book. This is the definitive guide for archival research for documentary filmmakers. An invaluable resource." -Mark Jonathan Harris, Distinguished Professor, School of Cinematic Arts, University of Southern California, and writer/director, The Long Way Home and Into the Arms of Strangers

"One of the best-and most needed-[books] I have seen in a while..The challenge is to keep what is a fairly technical aspect of filmmaking interesting without compromising the quality and depth of information. The authors have done an exceptional job in this regard by the careful interweaving of interviews with researchers, filmmakers and legal experts through the factual material.There is the strong sense of being in the presence of experienced filmmakers and researchers who accept that while there are standard practices, archival use and intellectual property laws etc. are contingent fields in which each case must be assessed and dealt with on its merits." -Bruce Sheridan, Chair, Film & Video Department, Columbia College

"It's hard to imagine a more organized, comprehensive dissection of Byzantine material. The authors have produced a tremendous guide for all who use archival resources. Best of all, because of their effort, I believe more individuals will be able to access and properly utilize such material. This book will serve filmmakers and, in turn, the public for years to come." -Thomas Speicher, Producer, Pennsylvania College of Technology

"Not simply a 'how-to' manual, it is also a discussion of ideas, issues and history that creates an enjoyable text even when the subject matter becomes complicated.The real world examples, the roundtable discussions, and the exploration of ideas and issues surrounding the technical aspects are very welcome and well done." -Dustin Ogdin, Filmmaker, Spoke Digital Films

"The book properly advances the notion that 'films matter,' but this is countered by discussants with 'films cost money too.' Filmmakers may take decades to recoup, and licensing helps. It's an ongoing volley, the chapter engenders a road map through the split, the tension makes a good read...This authorative book belongs on every producer's shelf." -Loren S. Miller, Freelance Documentary and Dramatic Editor, Emerson College


* Nearly all filmmakers, at some point in their careers, will want to use third-party materials, or will be asked to license their own work to someone else. This book will show you how to do it (and stay on-time and within budget)* This book, by clarifying and defining such terms as fair use, copyright, intellectual property, and Creative Commons, can better prepare media makers to not only protect their own creative rights but to understand and respect those of others.* Additional resources are available on the authors' website: http://www.archivalstorytelling.com

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Leveling the Playing Field: How the Law Can Make Sports Better for Fans Review

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Leveling the Playing Field: How the Law Can Make Sports Better for Fans ReviewMany of the major issues of modern professional sports revolve around issues of the law. Harvard's Henry J. Friendly professor of law Paul C. Weiler believes this firmly and "Leveling the Playing Field" is his attempt to explore this subject. Much of this terrain has been pursued in other works, but Weiler's perspective is interesting. Weiler takes the reader through the looking glass world of the sports business, exploring the nature of free agency, the various revenue streams of the major sports franchises, the long history of the shakedown for new sports complexes paid for with public money, the problems of steroids and other methods of cheating, and television and other revenues generated through sports activities. It is a familiar story, and Weiler tells it relatively well. His approach is balanced and his tone is evenhanded, even when the subject does not deserve it.
His solution to the problems of Major League Baseball, the National Football League, the National Basketball Association, and the National Hockey League boil down to one piece of national legislation. "The only way to avoid a regular replay of the experience of the 1990s is to have Congress pass a law that bars redistribution of middle-American taxpayer dollars into the pockets of wealthy Americans like George Steinbrenner." He adds, "I hope my readers now understand that as fans we would be better off if our favorite sports had the combination of a salary tax and a stadium cap" (p. 345). That might help, although I am opposed to any restraint on the ability of players to receive whatever income they are able to negotiate for their services since they are fundamentally the stars of the show, but I only wish it were that simple! I very much question all the problems of the sports business could be cured in this way, and I must add that the devil would be in the details of any such congressional action and its ramifications might be strikingly different from what was intended. Witness the McCain-Feingold Campaign Finance Reform Act and how it simply changed the rules of the game; it did not appreciably alter the game itself. Additionally, the ability to pass legislation of this type in early twenty-first century America appears virtually nil.
While I found this book quite interesting and worthy of consideration, I was annoyed by the relative lack of academic rigor in the discussion. At no point, for instance, did Weiler offer detailed thoughts on the nature of the legislation that he believes is necessary. Additionally, the book is completely without scholarly apparatus, not even a selected bibliography, and I find this unacceptable in a serious work.Leveling the Playing Field: How the Law Can Make Sports Better for Fans Overview

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