Showing posts with label sports car racing. Show all posts
Showing posts with label sports car racing. Show all posts

Cars at Speed: Classic Stories from Grand Prix's Golden Age Review

Cars at Speed: Classic Stories from Grand Prix's Golden Age
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Cars at Speed: Classic Stories from Grand Prix's Golden Age ReviewI purchased the paperback version of this book sometime in the late 60s, and I've returned to it many times over the years. Apart from it's hardcover format, line-drawings to lead-off each chapter, and a new introduction by author Robert Daley, this is exactly the same book that was issued many years ago. It captures an era (the late 50s and early 60s) in Formula 1 and international sports car racing that bears little resemblance to what we see today.
As Daley points out in his introduction, the two main differences between then and now are death and money. Then, several top drivers would die every year; the chance of a top grand prix driver surviving into retirement were literally less than the odds of surviving a round of Russian roulette. Now, Formula 1 has not seen a fatal accident since that horrible weekend 15 years ago when Ratzenberger and Senna died at San Marino
And the money: then, the driver's salaries were comparable to that of a successful insurance salesman, and endorsements were few and far between. Why risk an ad campaign on a driver who might be dead before the campaign could even get under way? Now, the drivers make millions on salaries and endorsements, and are part of a jet-setting international celebrity elite.
The world of Cars at Speed was a world in which advertising played a minimal role and in which old national rivalries were still in the forefront. The color of the car was determined by the country of it's manufacturer (red for Italy, green for England, silver for Germany, and so on). There were few if any sponsorhsip logos on the cars or on the drivers' uniforms; it was a game for wealthy sportsman and the manufacturers of world-class sports cars, not for international corporations marketing beer, cigarettes, or clothing.
Daley's format is essentially to focus on the sport nation-by-nation, with a chapter on each major grand prix and sports car event (in the latter group, the Mille Miglia, the Targa Florio, and Le Mans).
Daley captures the color and danger of the era very well, anecdotally and almost gossipy at times. He captures the specifics of time and place, the ambiance of the circuits. Speaking of the circuits, several of those featured in Cars at Speed - the old Nurburgring, Zandvoort, Reims - have not been used for years, victims of economics or heightened safety standards. Others - Monza, Spa, Silverstone - have seen major alterations, mostly in the name of safety - and bear little resemblance to the circuits described in Cars at Speed.
Daley is above all preoccupied with the danger of the sport, and that overriding possibility of death on the track is perhaps the main theme of the book. According to Daley, that aspect of the original book drew a lot of criticism from the fraternity of motor racing journalists, who downplayed the death and danger of the era almost to a fault. (In that vein, I remember a piece in the mid-60s, written - I believe - by Road & Track's then-F1 correspondent, Henry Manney, describing the death of a driver during the German Grand Prix (I forget the specific driver, perhaps de Beaufort or Anderson or Mitter). Manney's terse comment: "Also, sad to relate, poor _________ went off at Bergwerk and suffered fatal injuries." That was it.)
Middle-aged readers will read this with a sense of nostalgia for a more romantic and less commercialized era, albeit a much more dangerous one. Younger readers will read it with a different perspective, perhaps with wonder that so much death and danger was allowed to persist for so long before reforms were implemented. But they may also be fascinated by a look into a day when money wasn't everything, when the drivers seemed to have more varied personalities and interests than they do now, and when even a determined amateur could find his way onto a Grand Prix grid.
A final comment on some of the book's features: unlike Daley's The Cruel Sport, this book is all text with no photographs other than those on the cover. There are, however, diagrams of the circuits, and listings of the winners of major F1 and sports car races through 1961.Cars at Speed: Classic Stories from Grand Prix's Golden Age OverviewLong before he became a best-selling novelist, Robert Daley was a European sports correspondent for the New York Times. In 1961, he published his first book, Cars At Speed, an historical and contemporary look at Grand Prix and sports car racing at twelve of the worlds greatest circuits. This hard-to-find and now collectible book, widely considered one of the best books ever written about sports car racing, returns here in a special edition, with a new Introduction by Daley as well as commissioned drawings of each featured circuit. A rare opportunity to travel back in time to racings golden era, Cars at Speed offers a fascinating look at a time when danger and passion defined racing. Daley discusses the Grand Prix circuits of that era--e.g., Nu00fcrburgring, Monza, Silverstone, Zandvoort, Spa, Monaco--detailing the qualities, history, great races, controversies, and accidents of each. He focuses on the stories of drivers such as the Marquis de Portago, Phil Hill, Stirling Moss, and Jean Behra, among others, recreating the mythical quality of the Grand Prix in its prime.


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Ferrari 330/P4 Review

Ferrari 330/P4
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Ferrari 330/P4 ReviewWhile there are a few new things in this book, there is no call to take a $50 book, put it in a $100 box, and expect good reviews. Instead buy Ferrari P3/412P by Huet and Carrieri, Ferrari P 1961-1973 by Cassuci, or the simple paperback Ferrari 'P' Series by Beehl. Marasca's book would be an excellent buy in ordinary hardback at a reasonable price. I kept a copy simply because of a replica under construction.Ferrari 330/P4 OverviewWhen enthusiasts speak of the "Ford-Ferrari Wars" at LeMans in the mid-1960s, this is the Ferrari of which they speak. This beautifully produced slipcase edition commemorates the great endurance race car, of which only four were ever built. Today, only three survive with an approximate market value of 10 million each. This exhaustive history of those fantastic cars examines their technical histories and development, their complete competition records, and the great drivers who raced them-including Jackie Stewart and Chris Amon-as well as primary adversaries like Carroll Shelby, Jim Hall, Mario Andretti, and Dan Gurney.

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Le Mans '55: The Crash That Changed the Face of Motor Racing Review

Le Mans '55: The Crash That Changed the Face of Motor Racing
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Le Mans '55: The Crash That Changed the Face of Motor Racing ReviewMy old boss at my first writing gig told me - "easy readin' is hard writin' " and he was right. This book, an indepth account of the worst car crash and loss of life in all of motorsports, was fascinating but could have been much, much easier to read. I originally thought that I was just tired as I first sat down to read, but it was the same thing the next day as I struggled with the author's difficult writing style. Since I consider Le Mans one of a handfull of great races, I really wanted to learn more about the tragedy and the aftermath. The author certainly did his research and the details, maps and drawings, calculations and photos all helped to bring this event, fifty years back, into sharp focus. A definite plus. I especially loved his explanation of the German, French, British post-war tensions and how it affected the way people formed opinions about racing teams. But I really had to strain to get through some parts because his style and sentence structures are not familiar to me.
It's on my motorsports book shelf but I don't think it needs to be on yours unless you too are a motorhead.Le Mans '55: The Crash That Changed the Face of Motor Racing OverviewThe worst crash in motor racing history - killing more than 80 people - was produced by a ferocious and haunting combination of circumstances: nationalism, raw speed, the nature of a 24-hour race, and chance. The crash drew in Mike Hawthorn, the blond playboy from Farnham, in a Jaguar, and Juan-Manuel Fangio, one of the greatest drivers of all, in a Mercedes. A crowd of 250,000 watched hypnotised as Hawthorn set out to break Fangio, the two cars going faster and faster...and faster. Another English playboy, Lance Macklin, was caught up in the crash in his Austin-Healey, along with a 50-year-old Frenchman driving under the assumed name of Pierre Levegh. He was in the wrong place at the wrong time. It cost him his life, even as his car was torn to pieces that scythed into the dense crowd. In this new and full study of the fateful day, Christopher Hilton sets the race itself in the context of the 1950s. Through a host of interviews - with drivers, team members, journalists and spectators - and original research at Le Mans and in the Mercedes archive in Stuttgart, he recreates every aspect of the race and the crash. Much of the material has never been seen before.He examines the aftermath - the bitter blame game, the conflicting testimonies, the direct threat to motorsport in Europe - and chronicles the beginning of the culture of safety that has affected what we see of motorsport on our television screens today.

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